James Roberts: Difference between revisions

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* [http://transfans.co.uk/interviews_roberts.php TransFans interview with James Roberts]
* [http://transfans.co.uk/interviews_roberts.php TransFans interview with James Roberts]
* [http://tfarchive.com/fandom/features/eugenesis/ Eugenesis (online & updated version)]
* [http://tfarchive.com/fandom/features/eugenesis/ Eugenesis (online & updated version)]
* [http://moonbase2.libsyn.com/index.php?post_id=601856 Moonbase 2 interview with Roche]
* [http://moonbase2.libsyn.com/index.php?post_id=601856 Moonbase 2 interview with James Roberts]


{{DEFAULTSORT: Roberts, James}}
{{DEFAULTSORT: Roberts, James}}
[[Category: IDW]]
[[Category: IDW]]
[[Category: Writers]]
[[Category: Writers]]

Revision as of 17:52, 10 September 2010

A proud smile, a sad smile.

James Roberts is a British writer and Transformers fan. He was one of the early members of fan club Transmasters UK (TMUK), and wrote a number of text stories and strips. The most famous of these is the absolutely massive Eugenesis, an unofficial novel he first published back in 2001.

His first pro-work was helping fellow TMUKer Nick Roche with All Hail Megatron #15, acting as a "sounding board" for Nick's script. While he didn't write any of the script, Nick made sure to include him in the credits[1]

After that, Roberts was brought in to co-write Last Stand of the Wreckers, in order to lessen the stress and workload for Roche. While the first issue was all pre-planned by Roche, from issue two onwards it became a collaborative effort. [2]

Writing

Notes

  • Roche sneaked Eugenesis into a bookshelf in Maximum Dinobots #3.
  • The original Eugenesis cover looked like a Penguin Classics book (even sporting the tagline "Polyhex 21st Century Classics"). Roberts has said this was him poking fun at his own "lofty" aspirations. [1]
  • Shockwave's death in The Legacy of Unicron! has haunted Roberts since childhood... [3]

References

  1. Moonbase 2 interview, 29:15 to 31:00
  2. Moonbase 2 interview, 39:40 to 31:00
  3. Moonbase 2 interview, 50:26 to 51:08