Transformers: Aspects of Evil
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| Transformers: Aspects of Evil | |||||||||||||
| Publisher | Titan Books | ||||||||||||
| First published | 1st June 2005 | ||||||||||||
| Writer | Simon Furman | ||||||||||||
| Art | Jeff Anderson, Simon Coleby, Geoff Senior, Cam Smith, Staz, Lee Sullivan, Art Wetherell, Andrew Wildman | ||||||||||||
| Letterers | Nick Abadzis, Stuart Bartlett, GLIB, Annie Halfacree, Helen Stone | ||||||||||||
| Continuity | Marvel Comics continuity | ||||||||||||
| TPB ISBN | ISBN 1-84576-060-3 | ||||||||||||
| Price | £5.99 | ||||||||||||
| Printed in | Italy | ||||||||||||
Transformers: Aspects of Evil is the first black and white trade paperback in Titan Books' series of Marvel UK reprints. It covers Rodimus Prime's future struggles against Unicron's all-pervading evil, alongside Deathbringer (which is referenced in the main US Marvel Comics continuity) and a selection of stories set on (then) present-day Cybertron.
Contents
- "Aspects of Evil!"
- "The Void!"
- "Edge of Impact"
- "Shadow of Evil"
- "White Fire"
- "Deathbringer"
- "Out to Lunch!"
- "Underworld!"
- "Demons!"
- "Dawn of Darkness"
Cover
- Unicron lays some pain down on Rodimus Prime. Detail from the cover of "White Fire", by Stephen Baskerville.
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- Transformers: Way of the Warrior Titan TPB
Notes
The black and white Titan TPB digests contain a collection of UK stories from the post-Time Wars era. These are placed into themes rather than been a chronological collection of the UK tales as they were published. This volume covers some of the UK tales from issue #223 to #247. The page count inevitably means some of the TPB collections are more coherent than others. Some of these stories sit well within the wider Marvel continuity, some are in the Earthforce continuity while some are from the Marvel UK future timeline. There are no changes from the original prints so the teaser at the end of one story/ arc usually doesn't relate to the next story in the book. For instance, the Aspects of Evil arc ends with 'Next: Doubledealer', only to be followed by The Void. Also the small size of the books (7½ by 5 inches - less than half the original A4 format) means that some of the fine detail is lost.
