Transformers One (Music from the Motion Picture)

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Label: Paramount Pictures/Milan}}
Release date: September 20, 2024}}
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ASIN: B0DG3L9615}}
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Transformers One (Music from the Motion Picture) is the score album from the accompanying animated film, containing original music composed by Brian Tyler. The main theme was released as a single on September 13, with the full album dropping a week later in tandem with the film's release.

Track Titles, Length & Description

[edit]
  1. Transformers One Theme (7:09) - Concert suite that showcases the film's three major leitmotifs (the core cast, the Primes, and Sentinel Prime)
  2. Birth of the Primes (2:57) - Concert suite for the opening archives scene.
  3. Orion Pax (2:40) - Concert suite for Orion.
  4. Destiny of the Primes (5:25) - Another concert suite for the Primes.
  5. Transform the Dark (1:40) - An action-focused concert suite.
  6. Metal to the Pedal (3:15) - Elita-1 leads her unit down to the energon mines.
  7. Memory of the Forgotten (2:05) - A more solemn rendition of the main theme.
  8. The Contenders (1:55) - Sentinel kicks off the annual Iacon 5000.
  9. Trespaxxing (2:08) - Orion looks at the data archives left behind by Alpha Trion.
  10. More than Meets the Eye - Orion and D-16 hijack and compete in the frantic race.
  11. Escape to the Surface (3:08) - The core four take a ride on the energon mine train up to the surface of Cybertron.
  12. Resting Place of the Primes (3:59) - The miners enter the Mouth of Unicron to find the bodies of the Primes.
  13. The Ultimate Betrayal (3:19) - Alpha Trion recounts the Primes' final battle against Sentinel.
  14. Echelon Now (3:05) - A suite that's a more [[wikipedia:{{#if:|:}}Vangelis|{{#if:||Vangelis}}]]-inspired take on the film's theme.
  15. New Cog Potential (2:49) - The foursome are given transformation cogs by Alpha Trion...
  16. Alpha's Orders (2:28) - ...who tells them to reveal the truth about Sentinel and return to Iacon immediately.
  17. Hidden Truth (3:20) - D-16's hatred for the false Prime grows, as does Orion's concern for his wellbeing.
  18. Starscream (4:00) - The High Guard capture the four bots, only to be ambushed by Airachnid and her Death Trackers.
  19. Sealed Fate (3:28) - D-16 stands up against Sentinel as Orion descends into Iacon.
  20. Together as One (2:12) - Orion informs his fellow miners of Sentinel's true colors.
  21. Coming of the Guard (3:10) - Elita, Shockwave and Soundwave lead the High Guard's assault on Sentinel's tower.
  22. The Battle for Cybertron (1:55) - Orion, Elita, and B-127 publicly broadcast Airachnid's memory, ruining Sentinel's reputation.
  23. Prime Reason (3:15) - D-16 prepares to enact his sense of justice against the false Prime in the middle of Iacon.
  24. The Fall (3:37) - As one Prime falls, another rises.
  25. Battle of the Titans (2:28) - Optimus Prime reluctantly duels his former best friend, now by the name of Megatron.
  26. I Am Optimus Prime (3:53) - The newly-christened Prime unleashes the Matrix of Leadership, letting the energon flow freely and cogging up his miner friends to become his Autobots.
  27. Transformers One End Title (0:59) - The main-on-ends.

Notes

[edit]
  • Tracks 1-5, 7, and 14 do not appear in the film, but instead are suites of themes used throughout the movie.
  • The tracks used in the film are also slightly out of order, with "Trespaxxing" appearing at the very beginning and "Hidden Truth" appearing right after "The Ultimate Betrayal."
  • A section of the film's main theme soundtrack for this film repurposes a secondary theme from the Transformers: Prime score. Fittingly, it is used to represent the Thirteen Primes in this film, with its first appearance occurring at 3:54 into the main theme suite. It later appears in "More Than Meets The Eye," "Resting Place of the Primes," and "The Fall".
  • "The Fall" interpolates [[wikipedia:{{#if:|:}}Dies irae|{{#if:||Dies irae}}]] ("Day of Wrath" in Latin), an oft-quoted four-note passage from [[wikipedia:{{#if:|:}}Requiem|{{#if:the Catholic Requiem Mass|the Catholic Requiem Mass|Requiem}}]], which is commonly used to represent death or tragedy in film scores. As such, this means it very strongly resembles "Death of Optimus Prime" from The Transformers: The Movie. Quite the appropriate easter egg.
  • Tyler incorporated a Yamaha CS-80 into the score to pay tribute to Vangelis, which the composer cites as an influence.
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