Richard Marcej: Difference between revisions
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'''Richard Marcej''' ([[1961]]-) is an artist responsible for several pieces of Generation 1 [[package art]], including many of the [[Predacon (G1)|Predacon]]s, [[Headmaster (technology)|Headmaster]]s, [[Targetmaster]]s, [[Powermaster]]s, [[Seacon (G1)|Seacon]]s and [[Pretender]]s. He is also resposible for the some of the battle scenes depicted in post-1986 back-of-the-box package art. He also did work for ''[[G.I. Joe (franchise)|G.I. Joe]]'', ''[[My Little Pony]]'', ''Gremlins'', and ''Army Ants'', the last of which products he designed.. | '''Richard Marcej''' ([[1961]]-) is an artist responsible for several pieces of Generation 1 [[package art]], including many of the [[Predacon (G1)|Predacon]]s, [[Headmaster (technology)|Headmaster]]s, [[Targetmaster]]s, [[Powermaster]]s, [[Seacon (G1)|Seacon]]s and [[Pretender]]s. He is also resposible for the some of the battle scenes depicted in post-1986 back-of-the-box package art. He also did work for ''[[G.I. Joe (franchise)|G.I. Joe]]'', ''[[My Little Pony]]'', ''Gremlins'', and ''Army Ants'', the last of which products he designed.. | ||
Marcej graduated from the Art Institute of Pittsburgh, and began working for [[Hasbro]] in the fall of 1983. He particularly likes to depict the [[Dinobot (G1)|Dinobot]]s. | Marcej graduated from the Art Institute of Pittsburgh, and began working for [[Hasbro]] in the fall of [[1983]]. He particularly likes to depict the [[Dinobot (G1)|Dinobot]]s. | ||
==External links== | ==External links== | ||
Revision as of 20:36, 4 November 2010

Richard Marcej (1961-) is an artist responsible for several pieces of Generation 1 package art, including many of the Predacons, Headmasters, Targetmasters, Powermasters, Seacons and Pretenders. He is also resposible for the some of the battle scenes depicted in post-1986 back-of-the-box package art. He also did work for G.I. Joe, My Little Pony, Gremlins, and Army Ants, the last of which products he designed..
Marcej graduated from the Art Institute of Pittsburgh, and began working for Hasbro in the fall of 1983. He particularly likes to depict the Dinobots.

