Transformers: Aspects of Evil
From MediaWiki
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| Transformers: Aspects of Evil | |||||||||||||
| Publisher | Titan Books | ||||||||||||
| First published | 23 May 2005 | ||||||||||||
| Writer | Simon Furman | ||||||||||||
| Art | Jeff Anderson, Simon Coleby, Geoff Senior, Cam Smith, Staz, Lee Sullivan, Art Wetherell, Andrew Wildman | ||||||||||||
| Letterers | Nick Abadzis, Stuart Bartlett, GLIB, Annie Halfacree, Helen Stone | ||||||||||||
| Continuity | Marvel Comics continuity | ||||||||||||
| TPB ISBN | ISBN 1-84576-055-7 | ||||||||||||
| Price | £5.99 | ||||||||||||
| Printed in | Italy | ||||||||||||
Transformers: Aspects of Evil is the first black and white trade paperback in Titan Books' series of Marvel UK reprints. It covers Rodimus Prime's future struggles against Unicron's all-pervading evil, alongside the present day Autobots' battle against the Deathbringer (which is referenced in the main US Marvel Comics continuity) and a selection of stories set on (then) present-day Cybertron.
Contents
[edit]- "Aspects of Evil!"
- "The Void!"
- "Edge of Impact"
- "Shadow of Evil"
- "White Fire"
- "Deathbringer"
- "Out to Lunch!"
- "Underworld!"
- "Demons!"
- "Dawn of Darkness"
Cover
[edit]- Unicron lays some pain down on Rodimus Prime. Detail from the cover of "White Fire", by Stephen Baskerville.
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[edit]Notes
[edit]- This volume covers some of the UK tales from issues #223 to #247.
- The stories in these TPBs are placed into themes rather than as a chronological collection of the UK tales as they were published and the page count inevitably means some of the collections are more coherent than others.
- Aside from those from the Marvel UK future timeline, all of these stories fit within the Marvel US continuity. "Deathbringer" is even referenced in "Dark Creation".
- There are no changes from the original prints so the teaser at the end of one story/arc usually doesn't relate to the next story in the book. For instance, the "Aspects of Evil" arc ends with 'Next: Doubledealer', only to be followed by "The Void!".
- The small size of the books (7½ by 5 inches—less than half the original A4 format) means that some of the fine detail is lost.
