Dreamwave Productions

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"We're not saying you should buy Dreamwave comics, only that you'll regret it."

Dreamwave Productions was a fairly unknown independent comic book publisher when it obtained the Transformers license in 2001. For a time, there was gigantic buzz surrounding Dreamwave's relaunch of the Generation 1 title, even pushing it past Marvel and DC's top titles. Many comic book fans had been away from Transformers for a long time and were overjoyed to see highly detailed manga-style art driving a childhood favorite.

Dreamwave published a good deal of Transformers books, including many varied miniseries, before capitulating to the notoriously fickle comic-buying public. Towards the end of 2004 delays started getting more and more frequent. This was followed by rumors of writers and artists leaving because they weren't being paid, which were then confirmed. In early January 2005, Dreamwave declared bankruptcy, and there were no Transformers comics to be had for more than half of 2005.

History

The beginnings

Dreamwave Productions was originally launched by brothers Pat and Roger Lee as a studio within Image Comics in 1996, at the height of the Image boom. Originally, Dreamwave published various blatantly plagiarized originally created titles such as Warlands and Darkminds, as well as work-for hire such as a Wolverine/Punisher mini-series for Marvel. Initially, the "hook" for Dreamwave's financial success was the drawing style of its president, Pat Lee, which many readers viewed as "manga-like" (although readers of actual Japanese Mangas had a different opinion on this matter).

Splitting from Image and getting the Transformers license

In 2001, issue #111 of Wizard: The Comics Magazine ran a feature named "Big 80s", featuring various popular properties of the 1980s such as Thundercats or Masters of the Universe in new interpretations by modern artists. Pat Lee and Dreamwave submitted their own take on the Transformers, one of Pat's personal favorites from his childhood days. That same year, a group of Dreamwave employees departed from their company to form their own business, UDON Studios.

Shortly afterwards, Hasbro was offering the license for Transformers comics. Several companies, including Marvel (with UDON being supposed to handle the art), were interested[1], but ultimately it was Dreamwave who offered Hasbro the biggest amount of money, thereby acquiring the license in December of 2001[2] - money which Hasbro would ultimately never see in full. To accompany the new flagship title, Dreamwave officially cut all ties with Image and became an independent publisher on their own.

Success of the Transformers titles

Dreamwave's launch title, Transformers: Generation 1 vol. 1, written by Chris Sarracini and drawn by Pat Lee, became an instant hit, dominating Diamond's sales charts for months. Dreamwave would soon expand their range of Transformers comics to include an ongoing Transformers: Armada series (which later evolved into Transformers: Energon to accompany the respective toylines), initially also written by Sarricini. Although the second Generation 1 volume was originally supposed to be written by Sarracini again, he was replaced by new writer James McDonough (who originally worked under the alias "Brad Mick"), thereby ultimately writing an entirely different story than what was originally intended[3]. When the Generation 1 title became an ongoing series with the third volume, McDonough (soon dropping the "Brad Mick" alias and writing under his real name instead) was joined by his longtime friend Adam Patyk, now forming a writing duo.

Furthermore, Dreamwave hired fan-favorite Simon Furman to pen various Transformers: The War Within mini-series, the first official Transformers fiction ever to be not directly based on an existing toyline. Furman would be joined by artist Don Figueroa, whom Dreamave had hired directly out of the fandom. More fan artists such as Guido Guidi and Joe Ng would soon follow Don into the professional comic book world. Meanwhile, Furman would later also take over the Armada title as a writer.

Trouble on the horizon

The first problems arose in 2003, when it turned out that Dreamwave had only acquired the license for distributing Transformers titles in the USA, which resulted in a temporary hold in the international distribution until the matter was settled.[4]

Following the success of their Transformers titles, Dreamwave put their own titles Warlands and Darkminds on hold, instead focussing on other licenses such as Teenage Mutant Ninja Turtles or Mega Man. None of those titles would last particularly long, however. This was also when rumors of creators not getting paid first came up.[5] Rumors about a rigid "house style" committing other artists to draw in a style close to company president Pat Lee started to circulate as well, most evident in the second War Within miniseries, where the original pencils by artist Andrew Wildman were drastically reworked by the inker, with rather very disappointing results.

In mid-2004, Dreamwave announced the "addition" of new creators[6], failing to mention that this also meant the departure of Adam Patyk and James McDonough from the company. Although Dreamwave tried to contain this delicate bit of information by asking websites to consider any public statements by the two regarding their current situation with Dreamwave as "private" and thus delete them[7], some sites ignored that request, thereby revealing that Patyk and McDonough were owed a significant amount of money for their work.[8] At the same time, Pat Lee would start to do contractual work for Marvel and DC again, such as issues of House of M or Superman/Batman.

The end

While other artists and writers, including Simon Furman, joined the fold of creators not getting paid by Dreamwave, Chris Sarracini was asked to rewrite the stories previously submitted by Patyk and McDonough.[9] Likewise, a long-since announced Beast Wars title McDonough and Patyk had previously worked on was now supposed to be written by Furman. However, those stories would ultimately never be published, as Hasbro had already refused to renew Dreamwave's license to publish Transformers comics by this point. [10] Following numerous rumors, including one posted by Ben Yee on his own website BWTF.com, Dreamwave officially declared bankruptcy on January 4, 2005, blaming the weak Canadian Dollar and other scapegoats for the company's failure, including a vastly incorrect claim about Dreamwave being the "only Canadian independent comics publisher".[11]

By this time, Pat and Roger had already spent four months secretly moving most of Dreameave's assets to a new company named Dreamengine, whose website domain was registered to Roger's name. The existence of Dreamengine first became public in early January of 2005.[12]

The aftermath

The overall amount of Dreamwave's debt was far over a million dollars.[13] While former Dreamwave employees never saw a single cent of the money they were owed for their work, Pat Lee repeated the performance a year later with Dreamengine, ultimately resulting in him getting fired from the new company and once again starting a new business, Pat Lee Productions. Meanwhile, a Canadian entrepreneur named Christian Dery acquired the remaining Dreamwave assets, including the name "Dreamwave" and the rights to their "original" titles such as Warlands or Darkminds, in August of 2005. Ultimately, however, no new Dreamwave comics would ever see the light of day, and the last thing heard of the "new" Dreamwave was that employees weren't being paid again.

Series published

Dreamwave G1

Unicron Trilogy

Transformers/G.I. Joe

Other

Footnotes