Transformers: Cybertron (cartoon)

The name or term "Cybertron" refers to more than one character or idea. For a list of other meanings, see Cybertron (disambiguation).

Unicron Trilogy continuity family « Cybertron Toyline Cartoon Manga Commercials

The Cybertron cartoon series was produced by GONZO and ran in the United States in the years 2005-2006, serving as the third and final part of the "Unicron Trilogy" begun by its predecessors, Armada and Energon. The series premiered in the United States in July 2005.

The story centers on a giant black hole that threatens to devour Cybertron and other worlds. Only the power of the Omega Lock can stop it; Optimus Prime and a small(?) team of Autobots travel to various worlds in search of the lock and the four Cyber Planet Keys needed to activate it. Megatron, even more obsessed with power and godhood, attempts to seize the lock and the keys to boost his own personal power.

The series' Japanese counterpart Galaxy Force was confirmed by We've Inc. in an October 2004 press release to be a continuation from the Energon series, but it was soon clear that this was not the case. Galaxy Force afterwards was presented as a continuity reboot, willfully ignoring Hasbro's intent for the series. The Cybertron dub and toyline were consistently presented as a sequel to Armada and Energon, and eventually, later Japanese materials eventually retconned Galaxy Force back into being the continuation it was conceived as. Songs include opening "CALL YOU... Kimi to Boku no Mirai" and ending "Itsumo", and opening "IGNITION!" with ending "Growing Up!!" in the latter half of the run. The film will be released on July 30, 2011. Starring Jansen Panettiere as Bud Hansen, Harrison Ford as Optimus Prime, AnnaSophia Robb as Lori

Preceded by: Energon

“	Our worlds are in danger! To save them and the galaxy we must find the four Cyber Planet Keys before the Decepticons can use them for evil. It is our mission. Hot Shot! Jetfire! Vector Prime! Landmine! Scattorshot! Optimus Prime! Transform and roll out!	”
—Optimus Prime, Cybertron opening credits

Storyline

When the destruction of Unicron results in the formation of a massive black hole, Cybertron is threatened, and its population is evacuated to Earth, taking the forms of local vehicles and machinery to hide from humanity. As this occurs, Optimus Prime's elite team of Autobot warriors are approached by the ancient Transformer Vector Prime, who has emerged from his resting place outside of time to inform them of the legendary Cyber Planet Keys, ancient artifacts of power which can stop the black hole and save the universe. Lost due to an accident during an attempt to create a cross-universal space bridge network, the Cyber Planet Keys now reside on four worlds somewhere in the universe—unfortunately, Vector Prime's map showing their location is stolen by Decepticon leader Megatron, and both forces relocate to Earth as the race to find them begins.

On Earth, the Autobots befriend three human children named Coby, Bud and Lori, who aid them in locating the Omega Lock, the control device for the Cyber Planet Keys' power. With new "Cyber Key Powers" awakened in them, the Transformers battle on many fronts, searching for the Lock on Earth while Hot Shot and Red Alert head for Velocitron, the "Speed Planet", resting place of the first key. As Hot Shot competes in the planet's grand racing championship to win the key from planet leader Override, the Lock is located on Earth in the bulk of the crashed Transformer spaceship the Atlantis. Soon after, Autobot Overhaul heads for the next world, Jungle Planet, where the power of its Cyber Planet Key reformats him into Leobreaker. Megatron ingratiates himself with Jungle Planet ruler Scourge, while at the same time, his scheming lieutenant Starscream teams up with the mysterious Sideways, working towards his own goals.

Ultimately, the Autobots succeed in acquiring the Keys of both Velocitron and Jungle Planet, at which point the existence of Earth's own Cyber Planet Key is revealed. Starscream makes his power play and overthrows Megatron, stealing the Omega Lock and all three keys from the Autobots and using them to grow in size and power. Their forces bolstered by the ancient Autobots from Earth and the arrival of Wing Saber, who combines with Optimus Prime, the Autobots fight their way through a vengeful Megatron and defeat Starscream - but the battle is not without casualties, as Hot Shot, Red Alert and Scattorshot are gravely wounded and rebuilt into the even more powerful Cybertron Defense Team.

Returning to Cybertron, the Autobots use the Omega Lock and Cyber Planet Keys, which awaken the spirit of their deity and creator, Primus and transform Cybertron itself into the god's body. After a battle in which Starscream taps the power of Primus and grows to planetary size—only to be defeated by Primus himself—the location of the fourth and final key is determined as Gigantion, the Giant Planet. Bested by Gigantion's leader Metroplex, Megatron taps into the power of Gigantion's Cyber Planet Key to become Galvatron. Sideways, now joined by the equally mysterious Soundwave, reveals himself to be an inhabitant of Planet X, a world destroyed by the Gigantions, upon whom he and Soundwave seek revenge. Galvatron blasts them and Starscream into another dimension and finally acquires the Lock and Keys for himself, intending to use their power to accelerate the universal degeneration caused by the black hole and remake the cosmos in his own image. Vector Prime sacrifices his life to get the Autobots back to Cybertron, and the five planet leaders confront Galvatron within the black hole and defeat him. With all the Cyber Planet Keys now in his possession, Primus uses their power to finally seal the black hole, ending its threat.

As the planet's various civilizations attempt to return to life as normal, Galvatron attacks the Autobots for one final time. Without any troops to call his own, Galvatron engages Optimus Prime in a one-on-one duel, and is finally destroyed for good. With this final victory, Optimus Prime begins a new space bridge initiative, and the Transformers set sail for the four corners of the universe, and new adventures.

Characters

Autobots	Decepticons	Humans	Others
Cybertron Native Optimus Prime (Garry Chalk) Hot Shot (Kirby Morrow) Jetfire (Brian Drummond) Landmine (Paul Dobson) Overhaul/Leobreaker (Paul Dobson/Dave Ward) Red Alert (Brian Dobson) Scattorshot (Richard Ian Cox) Speed Planet Native Override (Lisa Ann Beley) Brakedown (Michael Dobson) Clocker (Brian Dobson) Jungle Planet Native Snarl (Scott McNeil) Backstop (Scott McNeil) Earth Native Evac (Ty Olsson) Crosswise (Michael Daingerfield) Giant Planet Native Metroplex (Ron Halder) Quickmix (Michael Daingerfield) Others Vector Prime (Richard Newman) Wing Saber (Sam Vincent) Mini-Cons Safeguard Recon Mini-Con Team Jolt (Brian Drummond) Reverb Six-Speed	Cybertron Native Megatron/Galvatron (David Kaye) Starscream (Michael Dobson) Thundercracker (Mark Oliver) Speed Planet Native Crumplezone (Mark Acheson) Ransack (Louis Chirillo) Dirt Boss (Michael Donovan) Jungle Planet Native Scourge (Trevor Devall) Undermine (Mark Oliver) Brimstone (Terry Klassen) Earth Native Thunderblast (Maryke Hendrikse) Lugnutz (?) Giant Planet Native Menasor (Sam Vincent) Planet X Native Sideways (Ted Cole) Soundwave (Robert O. Smith) Laserbeak Noisemaze Mass Production Type Version Laserbeak drone Other Mudflap (Dale Wilson) Nemesis Breaker	Regulars Coby Hansen (Sam Vincent) Bud Hansen (Ryan Hirakida) Lori (Sarah Edmondson) Dr. Lucy Suzuki (Tabitha St. Germain) Colonel Mike Franklin (Michael Dobson) Tim Hansen (Terry Klassen)	Primus (Michael Donovan) Scrapmetal drones

Episodes

1. Fallen
2. Haven
3. Hidden
4. Landmine
5. Space
6. Rush
7. Speed
8. Collapse
9. Time
10. Search
11. Deep
12. Ship
13. Hero
14. Race
15. Detour
16. Savage
17. Sand
18. Champion
19. Ice
20. Honor
21. Primal
22. Trust
23. Trap
24. Invasion
25. Retreat
26. Revelation
27. Critical
28. Assault
29. Starscream
30. United
31. Cybertron
32. Balance
33. Darkness
34. Memory
35. Escape
36. Family
37. Titans
38. Warp
39. Giant
40. Fury
41. City
42. Ambush
43. Challenge
44. Scourge
45. Optimus
46. Showdown
47. Guardian
48. Homecoming
49. End
50. Unfinished
51. Beginning
52. Inferno ("Lost" episode)

Differences with Galaxy Force

It rarely got this extreme.

In contrast to Armada and Energon, the dubs of which had stuck quite closely to their original Japanese counterparts (unrelenting plethora of errors notwithstanding), Cybertron went to much greater lengths to localize Galaxy Force. English scripts for the series were written by David McDermott, Marc Handler, Seth Walther, Stephanie Sheh and James W. Bates (but the series does not include episode writer credits, so precisely who wrote which episodes is left unknown).

On the most basic level, dialogue was frequently re-written, sticking to the intent of the original but adding many more colorful turns of phrase, flavor and character, doing away with much of the formality and unflappability with which the Autobots handled every situation (a common trait of the Autobots in Japanese Transformers cartoons). Cybertron would also add more dialogue to scenes that were silent in Galaxy Force; in particular, the show's extensive use of stock footage was livened up with new dialogue from characters as they transformed. Paraphrased dialogue from The Transformers: The Movie was common. The show's soundtrack mostly remained unaltered; the only new music was a new theme tune recorded by Paul Oakenfold, which was often used during transformation stock footage (but not with 100% consistency) and would sometimes be extended to replace the background music of the scenes that immediately followed said transformations. In other, more sparing instances, music would be replaced with different pieces from the original soundtrack; usually, this involved replacing melodramatic or "evil" music with more exciting tracks to ramp up action sequences.

A few aspects of the plot of the series were consistently modified or excised by the Cybertron dub, while some were created whole cloth. For instance, one of most notable changes of the series was the transformation of the male Nitro Convoy into the female Override, at the request of Cartoon Network. Other examples include the removal of suggestions in early Galaxy Force episodes that Coby had an unsteady relationship with his family, and the notion that Cybertron was consumed by the black hole in the first episode (since the characters were able to return to the planet later in the series without ill effect). In terms of newly-created ideas, Cybertron justified the continued presence of the Autobots' human allies Coby, Bud and Lori after their usefulness had realistically ended by crafting the concept of the Omega Frequency, the signal of the Omega Lock which only they could hear, making them necessary in the search for the Lock and Keys. This particular example is indicative of Cybertron's efforts to make as much technical and logical sense as it could, where Galaxy Force was content to hand-wave many things off with Burning Justice. Innumerable times in the course of the cartoon, characters glow with energy that comes from nowhere; while Galaxy Force does not address this strangeness, treating it as a normal thing for Transformers to do, Cybertron regularly inserts explanations, or at least has the characters react in an amazed fashion to this unusual thing that is happening to them.

Outside of these major overarcing examples, there are sometimes other changes both major and minor made to the content of individual episodes for numerous reasons. TFWIKI.Net notes such changes on the individual episode articles.

Praise and criticism

With the bad taste of Armada and Energon still lingering in the mouths of the fandom, Cybertron had a long way to go to make itself seem like an appealing prospect. On the English side of things, it generally succeeded: the show's dub is much more polished, lacking the myriad errors that had plagued the previous shows and bringing many distinct voices and accents into the mix, along with numerous pop-culture and Transformers references. Since the scripts had comprehensible context and some actual work put into them, the voice actors were likewise able to turn in stronger performances than they had in prior years. This effort was not appreciated by all viewers, unfortunately; those who had previously viewed subtitled Galaxy Force episodes online objected to the English dub taking greater liberties and occasionally altering aspects of the series, and were not shy about letting people know it.

Like Energon before it, Cybertron was animated using shaded CGI for the Transformers characters, and cel animation for most everything else. Though GONZO's Cybertron work was more advanced than that of Actas Inc. and Studio A-CAT's work in Energon, the CGI still suffers from most of the problems of its predecessor, including a restricted range of motion, a tendency for the Transformers to stand around like statues, and crude walk cycles. Few facial expressions exist beyond "mouth open" and "mouth closed" (though to the animators' credit, there is an occasional smirk, smile, growl, etc. And Optimus Prime at one point manages to look furious with his mouthplate up.) The shading techniques used on the Transformer characters also means they look very strange alongside their traditionally-animated human cohorts.

There is a sense that Cybertron actively attempts to avoid the main problem that plagued Energon—that is to say, running out of plot. Consequently, while the basic plot of Cybertron is far more focused and coherent than that of Energon, its first half is quite ponderous and drawn out, especially in the case of the Velocitron story arc, in which thirteen solid episodes are taken up by race after generic race, doing very little to advance the plot. Conversely, then, in the final quarter of the series, the stories of Gigantion and Planet X seem very truncated, as if the drawn-out first half left no room to see these plots through to their fullest extent.

In addition, Cybertron delights in the use of stock transformation sequences, using them to pad out episodes like the cinematic equivalent of Styrofoam packing peanuts. What's worse, even the battle scenes frequently recycle the same "two characters charging at each other, their fists colliding in mid-air" stock footage.

Continuity

As noted above, the Japanese version (Galaxy Force) originally treated the story as a stand-alone, unconnected to any previous story. The American version draws connections to the Armada and Energon cartoons, but various incongruities still exist:

• In general, nobody really seems to remember the events of Energon. The Autobots act as though they've never been to Earth before and have no familiarity with its culture, despite having spent ten years there in places like Ocean City.
• The Autobots are utterly dependent on the three human kids to help them blend into human society, when they previously had numerous human allies including Dr. Jones and his family, Rad, Alexis & Carlos, and the innumerable human inhabitants of Ocean City and the other Cybertron settlements on Earth.
• Likewise, despite the Autobots' presence being fairly common knowledge in Energon, it is considered urgent to hide the Autobots from Earth's population in Cybertron.
• The Energon cities themselves are never seen or mentioned.
• Jetfire and Landmine both have distinctively different voices than in the previous cartoons. Red Alert has essentially the same voice, but with a newly added accent. Also, Red Alert seems to have a bit more emotion and acts less mechanical as he did in Armada.
• Formerly prominent characters like Rodimus, Ironhide, the Omnicons, and Kicker have vanished without a word; new characters Overhaul and Scattorshot appear out of nowhere; and Red Alert returns after being absent for all of Energon.
• Returning characters are all in brand-new bodies with no explanation.
• When he first combines with Leobreaker, Optimus Prime declares that he's never heard of two Autobots combining into one before. This is a rather odd statement, considering that such combinations were commonplace during Energon, and Optimus himself had been combining with other Autobots since Armada; given later events, it's possible he was referring to the specific manner in which they combined, though this is at best an awkward rationalization.
• Nobody seems surprised that Megatron and Starscream are alive and well again.
• The grand black hole is explained as a by-product of "Unicron's destruction". In Energon, that event happened in Alpha Q's alternate universe, a fact that's not mentioned in the show. Likewise, Cybertron was last seen in that same alternate universe. It's not much of a stretch to assume the Autobots moved it back where it came from, but in that case, why is it so close to the black hole?
• The collapse of the Energon sun would mean that everything the Autobots fought for during Energon was in vain, and Alpha Q's worlds would die again, left in darkness without a sun and consumed by the black hole. Nobody seems to notice this little setback. To the contrary, Red Alert's report mentions an uninhabited planet that's not one of Alpha Q's planets as the black hole's first victim.
• Some returning character's personalities, like Wing Saber and Sideways, are different from their portrayals in other series.

Within the show, most of these problems were never directly addressed; the cartoon simply went about telling its story without much regard to previous events. Indeed, vanishing characters and new bodies had previously occurred in the changeover between Armada and Energon with equally little attention, though the second show at least established the existence of a ten-year fictional gap between them, making it somewhat less intrusive (such a gap also exists between Energon and Cybertron, but it was never noted in dialogue in the series).

However, external material has addressed some of the problems. The Cybertron comic storyline "Balancing Act", for example, Vector Prime claims that the Autobots are suffering memory problems, caused by temporal disturbances from the Unicron Singularity. Jetfire's new accent was explained on the Hasbro web site as a result of time spent on the planet Nebulon.

Energon comic

Some fans believe that the cartoon follows the unfinished Energon comic book series from Dreamwave. Unsubstantiated rumors to this effect have swirled since the cartoon's debut, though the only "evidence" comes from media outside the cartoon:

• The Cybertron comic storyline "Balancing Act", written by Hasbro copywriter Forest Lee, is set the same universe as the Cybertron cartoon series. But the story references events from the Energon comic, such as the Mini-Con Over-Run hooking himself into the Planetary Database — a plot point begun by the Energon comic, which would have been carried through if the book hadn't been canceled.

• The bio of the Cybertron toy Dark Scorponok references his death at the hands of Megatron, as happened in the Energon comic but not the cartoon. However, this was overwritten when "Balancing Act" depicted Dark Scorponok as being pulled into the cartoon timeline from another universe.

The idea doesn't solve any problems; most of the contradictions between the Energon and Cybertron cartoons also exist between the Energon comic and the Cybertron cartoon. The cartoon contains no references to any events of the Energon comic.

The entire notion of a network television cartoon following up on a comparatively obscure, unfinished comic book seems counter-intuitive; furthermore, Hasbro material has presented many explanations for contradictions between the two cartoons. Why bother explaining why Cybertron Jetfire sounds different if he's not the same guy seen in Energon? Why have Vector Prime explain the differences between the two cartoons if they're not in the same continuity? It would have been simpler to retract the statement that Cybertron was a sequel series.

Home video releases

Galaxy Force

The Galaxy Force version of Cybertron was released on DVD by Victor Entertainment in Japan while the series was still on air. Several of the DVDs were packaged with exclusive redecos of toys, such as a Masterforce Minerva-themed Chromia and a Generation 1 Hot Rod-themed Exillion.

• Transformers: Galaxy Force — Vol. 01 (2005)
• Transformers: Galaxy Force — Vol. 02 (2005)
• Transformers: Galaxy Force — Vol. 03 (2005)
• Transformers: Galaxy Force — Vol. 04 (2005)
• Transformers: Galaxy Force — Vol. 05 (2005)
• Transformers: Galaxy Force — Vol. 06 (2005)
• Transformers: Galaxy Force — Vol. 07 (2005)
• Transformers: Galaxy Force — Vol. 08 (2006)
• Transformers: Galaxy Force — Vol. 09 (2006)
• Transformers: Galaxy Force — Vol. 10 (2006)
• Transformers: Galaxy Force — Vol. 11 (2006)
• Transformers: Galaxy Force — Vol. 12 (2006)
• Transformers: Galaxy Force — Vol. 13 (2006)

Cybertron

Paramount Home Entertainment released a single Cybertron disc in 2005 as a follow-up to their four separate Energon releases. They then took some time off to concentrate on the live-action movie before finally releasing a complete box set in 2008.

• Transformers: Cybertron — A New Beginning (2005)
• Transformers: Cybertron — The Ultimate Collection (2008)

Other

Sometime in 2007, a complete DVD boxset of the Cybertron series was released in Malaysia which, despite initial appearances, was apparently not a bootleg, given that it was region-encoded (Region 3, to be precise). The set featured two English audio tracks (2.0 and 5.1) and was fully subtitled with an accurate transcription of the English dialogue. All told, this was more than the eventual American release managed. The set also moved "Inferno", from its ill-sitting placement as episode 52 back to being the second episode on the set.

External links

• Transformers: Galaxy Force at the Japanese Wikipedia